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kirsten kaschock

Rather than transcribing lived experience directly, I choose to make strange the almost-familiar. Why? Because we also need the ineffable.

Notes on Color - Albers 1

Notes on Color - Albers 1

From Josef Albers “Interaction of Color”

  • This bright study is more or less self-explanatory. (120)

  • Indirectly, this also explains the mixture in the middle. (118)

  • The inner smaller violets are / factually alike. (80)

  • Although it is not common practice, one can also speak of intervals between colors. (34)

  • All of this results in a subtle change in posture. (168)

  • For another reading of such illusionary vibration, one can recall auras and halos. (184)

  • As we begin principally with the material, color itself, and its action and interaction as registered in our minds, we practice first and mainly a study of ourselves. (52)

  • It should be mentioned that samples of a real middle grey are hardest to find. (82)

  • Naturally, practice is not preceded but followed by theory. (68)

Notes on Color - Kandinsky 1

Notes on Color - Kandinsky 1

The First Yellow

The First Yellow